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Creative Development Grant

Inner West Council

Grant: $5000

Project: Supporting the development of my figurative artistic practice through funding live model classes and focused studio work. Exploring gendered power and subtle threats of violence against women through adaptive contexts, I aim to create a powerful body of work under the mentorship of professional figurative artist Carmel Byrne. With the goal of staging a solo show at Scratch Art Space, this project will contribute to ongoing conversations about subversive control and aggression towards women in Australia.

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More information via IWC Website.

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Femicide Watch

* Source:https://australianfemicidewatch.org/database/

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Studio Audio

See What You Made Me Do by Jess Hill

Fight Like A Girl and Boys Will be Boys by Clementine Ford

Wifedom by Anna Funder

If Women Rose Rooted by Sharon Blackie

The Body Keeps Score Bessel Van Der Kolk

01: research

Femicides

In a year of 73 DV murders*, 2023 saw high profile cases centre on story of female (cis-white-het) victimhood over the systemic violence of male perpetrators. Furious like so many, when this grant project began in October 2023, I averaged out the ages of reported DV murder victims to date- to sit there staring at my own age of 39. It's everywhere. and it's nowhere.

How and where does this conversation begin with the men in the room? There is such discomfort and rejection of the subject spawning reflexive tropes like not all men and good blokes just snapping.

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How do we expand upon Margret Atwood's summation 'Men are afraid women will laugh at them, women are afraid men will kill them' 

which skirts the line of humiliation and humility in a male form?
 

02: draw + writing

Life drawing and processing

Attending weekly life drawing sessions and writing on the subject as I began to process the project, initial ideas centred around the female form (more commonly modelled) and her connection to land. Combining landscape and female form was an early point on the creative path and then put to the side as I worked to centre the men. The shadow men they live inside, hidden and contemptuous.

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03: finding the lens

Drawing on experience

Something I will only briefly touch on here, is that I have lived experience with both family violence and sexual assaults. The latter, sadly fairly typical of women having lived out in the world for any a few decades. This year I will enter my 40s and view it as a rebirth, a fresh new decade untainted with the violation of my body by another.

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These experiences shape my work, fuel motivation and hold space for a collective female rage against repression and abuse.

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I acknowledge the traditional custodians of this land on which I live and make art, the Gadigal people of the Eora Nation, and pay respect to Elders past and present. I wish to also pay tribute to the rich art-making history of First Nations people, always was always will be Aboriginal Land.

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